Often termed as a
‘rebel’ in my school for breaking the rules, it did continue while shooting too. But now for a better reason. Remember the time, when you were a beginner in any photography institution or a self-taught amateur from online resources, you would have come across rules of composition, like rule of thirds or few others like f16. There were days I firmly stuck to those. Later experimenting, I broke a few and gonna share my views on that.
Rule :Shooting in Manual Creates Better Photos
Shooting in manual offers more control over the lighting and depth of field than auto does, but some photographers assume that shooting in manual is a prerequisite for good photos.
How to Break it: Manual allows you more control when you need it, but it isn’t a requirement for great photos. In situations where you need to work fast to get the shot, or in quickly changing lighting conditions, shooting in AV or aperture priority mode may be a better option.
Rule: Fill The Frame to Draw Focus on the Subject
Filling the frame eliminates unwanted distractions and ensures that your subject is the center focus.
How To Break it: You don’t have to fill the frame to draw attention to your subject. When composing your image to draw emphasis on the subject, make sure the background elements are not competing with your subject for attention. A simplified background, or even negative space can also work to draw focus onto your subject, and can dramatically enhance your photo.
Rule: The Rule of Thirds
The rule of thirds says to position the main subject off to the side of a photo for maximum impact. This guideline is designed to combat the boring and very amateur mistake of placing the subject dead center in every photograph.
How to Break it: While the rule of thirds can be a great compositional aid, sometimes the composition calls for something different. Survey the setting, and take into account lighting, elements, and contrasting colors. Position your subject wherever they are most balanced. Subjects that are prominent should be center stage. Other times, a composition will be more interesting if the subject is slightly off center. Visual balance is key.
Rule: Shoot With the Sun Behind You
Most of us are taught to not shoot into the light. Shooting with the sun behind you helps to ensure the subject is illuminated from the front, eliminating unwanted shadows.
How to Break it: While shooting with the sun behind you is an effective way to get great results, don’t be afraid to try shooting with the sun at different angles. For landscapes especially, shooting with the sun at your side can create dramatic and bold images, illuminating the ground and showcasing beautiful shadows. Or try shooting into the sun! Make sure the sun is blocked by an object to prevent the lens from being flooded with light, and meter off of the brightest part of the image to create a beautiful silhouette.
Rule: Avoid Shooting Portraits at Midday
The midday sun can create unwanted shadows in portraits and close up photography. Morning and late afternoon are considered ideal times to shoot since the sun is lower and less likely to create harsh glare and unwanted shadows.
How to Break it: The bright midday sun creates bold, distinct shadows that you can use to create unique and beautiful results. For bold and brave midday portraits, bring along some gear: external or pop up flashes to fill in the shadows, reflectors to bounce the light back onto the subject, and umbrellas to softly diffuse the midday rays. Or let the shadows take center stage! Rather than trying to eliminate them, experiment with incorporating them into your shots.
Rule: Blurry is Bad
Blurry, out of focus subjects are the bane of every photographer. With so many books, classes, and tutorials dedicated to the art of creating sharp images, it’s easy to assume that blurry photos are something to be avoided –at all costs.
How to Break It: Intentional blur can create a beautiful and abstract photo. Creative motion blur can add a sense of interest and movement to your photographs. To blur your subject, focus on an object closer or further away than your subject. Or slow the shutter speed down to create an intentionally blurred photograph.
Rule: Keep Your Camera Straight
In landscape photography, keeping the horizon line straight is an important rule of composition.
How to Break it: Tilting adds a sense of excitement or movement to a composition; it also works well for close-ups. Tilting the camera works best when there is a strong horizontal element to add stability and anchor the composition. Just take care to avoid overdoing this technique though; tilting should only be done if it improves the composition.
Rule: Never Shoot From Behind Your Subject
When shooting portraits, shooting your subject’s face is obviously very important. But who says you can’t shoot from behind?
How to Break it: There is something to be said for the photographer who can capture the essence and spirit of a person – without capturing their face. Combining the surrounding environment, with the body language of a person can lead to some very powerful photographs, and some compositions that you wouldn’t normally see.
Rule: Customize White Balance Before Shooting
White balance removes unwanted color casts. Understanding how your camera’s white balance works allows you the freedom of shooting in less than ideal lighting conditions.
How to Break it: Choosing when to use the white balance is a matter of personal preference. While white balance is necessary for situations where color accuracy is important, in nature shots, adjusting the white balance is not always necessary. Certain color casts can add a beautiful tinge to the photo. Setting the white balance during evening light will often remove the beautiful quality of light. Shooting in RAW is another alternative, as this allows you to set the white balance during post processing.
Rule: You Can Always Fix Your Photo Later
Post processing photos is an important part of any photographer’s job. Many award winning photographs wouldn’t have been the same without a few edits.
How to Break it: While post processing is a helpful tool, learning to gauge an image through the viewfinder is better than relying on Photoshop. Assuming that Photoshop will fix all of your woes can negatively affect the composition of your photos. Taking photos without the intention of fixing them later will lead to stronger compositions, and better images